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Promenade d’Automne

Promenade d’Automne, 1980 by Andre Brasilier is an original colored lithograph. This print is signed on the bottom right corner of the piece and numbered on the lower left margin.

Alhough Brasilier bases his painting on reality, but he does not consider himself a realistic painter. Brasilier has a very personal way of being non-figurative within figuration. Indeed, he strives to make the invisible visible again, opening the viewers’ eyes upon the non-obvious, in a relentless quest for intimate and cohesive humanism.

The figures in Promenade d’Automne are simplified so that the color becomes the carrier of emotion, movement, expression and dominance. Brasilier transports us easily into surreal landscapes, which lighten the soul with dreamy infusions of figures set in the simplicity of colors, shape, and form. In an intimate communion with nature, he draws his inspiration from its language, sounds, and colors, thus revealing the natural beauty of our surroundings

Promenade d’Automne’s  central point are the horses because of their harmony with nature. The horse starts giving a sense of scale, by providing interesting dialogues with the proportions of the sea and sky. Brasilier loves life and for him the horses become important vivid symbols of delight, with their forms.

Brasilier likes to point out that he is always in a state of painting, whether he is really creating a work or just taking notes about the surroundings which inspire him. Painting becomes a serious purging of the soul and a profound self-expression in his lyrical and unique forms which can’t be placed easily within the dominant styles or voices which surrounded his long career.

Title

Promenade d’Automne

Medium

Lithograph

Year

1980

Edition

130

Catalogue Raisonné

NA

Signature

Signed

Size 30 x 21.25 (in)
76 x 54 (cm)
Price Price on Request
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Description

Promenade d’Automne, 1980 by Andre Brasilier is an original colored lithograph. This print is signed on the bottom right corner of the piece and numbered on the lower left margin.

Alhough Brasilier bases his painting on reality, he is not a realistic painter. Brasilier has a very personal way of being non-figurative within figuration. Indeed, he strives to make the invisible visible again, opening the viewers’ eyes upon the non-obvious, in a relentless quest for intimate and cohesive humanism.

The figures in Promenade d’Automne are simplified so that the color becomes the carrier of emotion, movement, expression and dominance. Brasilier transports us easily into surreal landscapes, which lighten the soul with dreamy infusions of figures set in the simplicity of colors, shape, and form. In an intimate communion with nature, he draws his inspiration from its language, sounds, and colors, thus revealing the natural beauty of our surroundings

Promenade d’Automne’s  central point are the horses because of their harmony with nature. The horse starts giving a sense of scale, by providing interesting dialogues with the proportions of the sea and sky. Brasilier loves life and for him the horses become important vivid symbols of delight, with their forms.

Brasilier likes to point out that he is always in a state of painting, whether he is really creating a work or just taking notes about the surroundings which inspire him. Painting becomes a serious purging of the soul and a profound self-expression in his lyrical and unique forms which can’t be placed easily within the dominant styles or voices which surrounded his long career.

 

Additional information

Title

Promenade d’Automne

Medium

Lithograph

Year

1980

Edition

130

Catalogue Raisonné

NA

Signature

Signed

Size 30 x 21.25 (in)
76 x 54 (cm)
Price Price on Request