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Huit filles dans un pré

Huit filles dans un pré, 1926 by Marie Laurencin is an original etching. It is signed in the bottom right margin in pencil. This work features eight young women figures with in black and white. It has its provenance from the collection of HM Petiet. Marchesseau 96.

Marie Laurencin  was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d’Or. She was known for her delicate depictions of young women in idyllic landscapes. Using muted pinks, dove grays, and mint greens the artist created dreamlike visions of reality.

Medium

Etching

Year

1926

Edition

Proof

Catalogue Raisonné

Marchesseau 96

Signature

Signed

Size 5 x 3.15 (in)
12.9 x 8 (cm)
Price Price on Request
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Description

Huit filles dans un pré, 1926 by Marie Laurencin is an original etching. It is signed in the bottom right margin in pencil. This work features eight young women figures with in black and white. It has its provenance from the collection of HM Petiet. Marchesseau 96.

Marie Laurencin  was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d’Or. She was known for her delicate depictions of young women in idyllic landscapes. Using muted pinks, dove grays, and mint greens the artist created dreamlike visions of reality.

Marie Laurencin’s signature paintings feature graceful, pale-skinned, dark-eyed young women with dreamy expressions, rendered in pastel hues. After briefly flirting with the tenets of Cubism early on, Laurencin shied away from the modern styles of her day, drawing influence from Persian miniatures and the Rococo instead. Nonetheless, she befriended and exhibited alongside Pablo Picasso, including him in a group portrait along with herself and their respective lovers Fernande Olivier and Guillaume Apollinaire (Group of Artists, 1908). The anonymous seated figures in Women with a Dog (1923) exemplify the lyricism and idealized feminine beauty with which she was known to portray society women. In 1923 Coco Chanel commissioned a portrait, but rejected Laurencin’s image of her languishing in a chair for lack of likeness.

Additional information

Medium

Etching

Year

1926

Edition

Proof

Catalogue Raisonné

Marchesseau 96

Signature

Signed

Size 5 x 3.15 (in)
12.9 x 8 (cm)
Price Price on Request