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Jean Dubuffet Faits Memorables I

Jean Dubuffet Faits Memorables I is an Original Serigraph Print in colors on Arches paper. From the Faits Memorables Suite, a the signed and numbered edition of 70. Webel 1259

Jean Dubuffet’s work is marked by a rebellious attitude toward prevailing notions of high culture, beauty, and good taste. He began making art in earnest at age 41, after a stint in the army and a successful career as a wine merchant. The next four decades were tremendously prolific: he wrote poetry and theoretical texts, played jazz, experimented widely with art-making materials and techniques, and worked in many mediums, including painting, drawing, printmaking, large-scale outdoor sculpture, and what he called “animated painting”—works bridging painting, sculpture, dance, and theater, and featuring live performers.

Though he was an academically trained painter from a bourgeois family, Dubuffet maintained what he called in a 1951 lecture an “anticultural position.” He advocated for “instinct, passion, mood, violence, madness” rather than analysis and reason, as well as closer proximity to nature and natural forms and the discarding of traditional notions of beauty. “Look at what lies at your feet!” he once said. “A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.” Such values were embodied in what Dubuffet termed art brut (or “raw art”), produced on the margins by children, outsider and folk artists, and the mentally ill. His own collection of this work, formed in part with the help of the Surrealist Andre Breton and writer Jean Paulhan, was donated to the city of Lausanne, Switzerland, in 1971.

In the studio, Dubuffet was a relentless innovator, experimenting with unorthodox tools and materials by mixing gravel into his paints; making impressions from foliage, orange peels, and tapioca; or covering canvases with tin foil. He worked fluidly between mediums, with his trials in painting informing his radical work in the print shop, where he attacked lithographic stones with sandpaper, flaming rags, and chemicals. He carefully inked webs onto paper and then translated them into allover horizon-less compositions on canvas, creating views that suggest both the microscopic and the celestial. His printmaking reached its zenith with Phenomena, a group of 362 lithographs parsed into 24 albums, which evoke myriad natural states, textures, and surfaces.

Title

Faits Memorables

Year

1978

Catalogue Raisonné

Webel 1259

Medium

Serigraph

Edition

70

Signature

Signed

Size 30.5 x 38.25 (in)
78 x 98 (cm)
Price Price on Request
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Description

Jean Dubuffet Faits Memorables I is an Original Serigraph Print in colors on Arches paper. From the Faits Memorables Suite, a the signed and numbered edition of 70. Webel 1259

Jean Dubuffet Faits Memorables I

Jean Dubuffet’s work is marked by a rebellious attitude toward prevailing notions of high culture, beauty, and good taste. He began making art in earnest at age 41, after a stint in the army and a successful career as a wine merchant.

Jean Dubuffet Faits Memorables I

The next four decades were tremendously prolific: he wrote poetry and theoretical texts, played jazz, experimented widely with art-making materials and techniques, and worked in many mediums, including painting, drawing, printmaking, large-scale outdoor sculpture, and what he called “animated painting”—works bridging painting, sculpture, dance, and theater, and featuring live performers.

Though he was an academically trained painter from a bourgeois family, Dubuffet maintained what he called in a 1951 lecture an “anticultural position.” He advocated for “instinct, passion, mood, violence, madness” rather than analysis and reason, as well as closer proximity to nature and natural forms and the discarding of traditional notions of beauty.

Jean Dubuffet Faits Memorables I

“Look at what lies at your feet!” he once said. “A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.”

Jean Dubuffet Faits Memorables I

Such values were embodied in what Dubuffet termed art brut (or “raw art”), produced on the margins by children, outsider and folk artists, and the mentally ill. His own collection of this work, formed in part with the help of the Surrealist Andre Breton and writer Jean Paulhan, was donated to the city of Lausanne, Switzerland, in 1971.

Jean Dubuffet Faits Memorables I

In the studio, Dubuffet was a relentless innovator, experimenting with unorthodox tools and materials by mixing gravel into his paints; making impressions from foliage, orange peels, and tapioca; or covering canvases with tin foil. He worked fluidly between mediums, with his trials in painting informing his radical work in the print shop, where he attacked lithographic stones with sandpaper, flaming rags, and chemicals.

Jean Dubuffet Faits Memorables I

He carefully inked webs onto paper and then translated them into allover horizon-less compositions on canvas, creating views that suggest both the microscopic and the celestial. His printmaking reached its zenith with Phenomena, a group of 362 lithographs parsed into 24 albums, which evoke myriad natural states, textures, and surfaces.

Jean Dubuffet Faits Memorables I

Additional information

Title

Faits Memorables

Year

1978

Catalogue Raisonné

Webel 1259

Medium

Serigraph

Edition

70

Signature

Signed

Size 30.5 x 38.25 (in)
78 x 98 (cm)
Price Price on Request