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Jean Dubuffet Untitled – XXe Siecle No. 10

Jean Dubuffet Untitled – XXe Siecle No. 10 is an original lithograph on wove paper. Created for the 1958 Issue of XXe Siecle (No. 10). Signed in the plate lower right. Printed by Mourlot, Paris.

Jean Dubuffet’s work is marked by a rebellious attitude toward prevailing notions of high culture, beauty, and good taste. He began making art in earnest at age 41, after a stint in the army and a successful career as a wine merchant. The next four decades were tremendously prolific: he wrote poetry and theoretical texts, played jazz, experimented widely with art-making materials and techniques, and worked in many mediums, including painting, drawing, printmaking, large-scale outdoor sculpture, and what he called “animated painting”—works bridging painting, sculpture, dance, and theater, and featuring live performers.

Though he was an academically trained painter from a bourgeois family, Dubuffet maintained what he called in a 1951 lecture an “anticultural position.”1 He advocated for “instinct, passion, mood, violence, madness”2rather than analysis and reason, as well as closer proximity to nature and natural forms and the discarding of traditional notions of beauty. “Look at what lies at your feet!” he once said. “A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.”3 Such values were embodied in what Dubuffet termed art brut (or “raw art”), produced on the margins by children, outsider and folk artists, and the mentally ill. His own collection of this work, formed in part with the help of the Surrealist Andre Breton and writer Jean Paulhan, was donated to the city of Lausanne, Switzerland, in 1971.

In the studio, Dubuffet was a relentless innovator, experimenting with unorthodox tools and materials by mixing gravel into his paints; making impressions from foliage, orange peels, and tapioca; or covering canvases with tin foil, as in Soul of the Underground. He worked fluidly between mediums, with his trials in painting informing his radical work in the print shop, where he attacked lithographic stones with sandpaper, flaming rags, and chemicals. He carefully inked webs onto paper and then translated them into allover horizon-less compositions on canvas, creating views that suggest both the microscopic and the celestial. His printmaking reached its zenith with Phenomena, a group of 362 lithographs parsed into 24 albums, which evoke myriad natural states, textures, and surfaces.

Year

1958

Edition

1958

Catalogue Raisonné

NA

Medium

Lithograph

Signature

Plate Signed

Title

Untitled – XXe Siecle No.10

Size 12.5 x 9.5 (in)
31.45 x 23.83 (cm)
Price $1,000.00
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Description

Jean Dubuffet Untitled – XXe Siecle No. 10 is an Original lithograph on wove paper. Created for the 1958 Issue of XXe Siecle (No. 10). Signed in the plate lower right. Printed by Mourlot, Paris.

Jean Dubuffet Untitled – XXe Siecle No. 10

Jean Dubuffet’s work is marked by a rebellious attitude toward prevailing notions of high culture, beauty, and good taste. He began making art in earnest at age 41, after a stint in the army and a successful career as a wine merchant.

Jean Dubuffet Untitled – XXe Siecle No. 10

The next four decades were tremendously prolific: he wrote poetry and theoretical texts, played jazz, experimented widely with art-making materials and techniques, and worked in many mediums, including painting, drawing, printmaking, large-scale outdoor sculpture, and what he called “animated painting”—works bridging painting, sculpture, dance, and theater, and featuring live performers.

Jean Dubuffet Untitled – XXe Siecle No. 10

Though he was an academically trained painter from a bourgeois family, Dubuffet maintained what he called in a 1951 lecture an “anticultural position.”1 He advocated for “instinct, passion, mood, violence, madness”2rather than analysis and reason, as well as closer proximity to nature and natural forms and the discarding of traditional notions of beauty. “Look at what lies at your feet!” he once said.

Jean Dubuffet Untitled – XXe Siecle No. 10

“A crack in the ground, sparkling gravel, a tuft of grass, some crushed debris offer equally worthy subjects for your applause and admiration.”3 Such values were embodied in what Dubuffet termed art brut (or “raw art”), produced on the margins by children, outsider and folk artists, and the mentally ill. His own collection of this work, formed in part with the help of the Surrealist Andre Breton and writer Jean Paulhan, was donated to the city of Lausanne, Switzerland, in 1971.

Jean Dubuffet Untitled – XXe Siecle No. 10

In the studio, Dubuffet was a relentless innovator, experimenting with unorthodox tools and materials by mixing gravel into his paints; making impressions from foliage, orange peels, and tapioca; or covering canvases with tin foil, as in Soul of the Underground.

Jean Dubuffet Untitled – XXe Siecle No. 10

He worked fluidly between mediums, with his trials in painting informing his radical work in the print shop, where he attacked lithographic stones with sandpaper, flaming rags, and chemicals. He carefully inked webs onto paper and then translated them into allover horizon-less compositions on canvas, creating views that suggest both the microscopic and the celestial. His printmaking reached its zenith with Phenomena, a group of 362 lithographs parsed into 24 albums, which evoke myriad natural states, textures, and surfaces.

Jean Dubuffet Untitled – XXe Siecle No. 10

Additional information

Year

1958

Edition

1958

Catalogue Raisonné

NA

Medium

Lithograph

Signature

Plate Signed

Title

Untitled – XXe Siecle No.10

Size 12.5 x 9.5 (in)
31.45 x 23.83 (cm)
Price $1,000.00