Mel Bochner, ‘Crazy,’ 2011 is a unique Monoprint with collage, engraving, embossment, and acrylic paint on Twinrocker handmade paper. It is signed and dated in pencil in the lower right margin.
Reading Bochner Thesaurus works for literal meaning while blanking out their visual impact becomes as much a challenge of disassociation as the head-patting/stomach-rubbing game.
The complex relationship between art practice, visual meaning and the function of language has long been a core interest of the Pittsburgh native Mel Bochner (born 1940), whose 1966 installation, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is credited as the earliest exhibition of conceptual art.
Title | Crazy |
---|---|
Medium | Monoprint |
Year | 2011 |
Edition | Unique |
Signature | Signed, dated |
Size | 30 x 22 (in) 76 x 56 (cm) |
Price | SOLD |
Mel Bochner, ‘Crazy,’ 2011 is a unique Monoprint with collage, engraving, embossment, and acrylic paint on Twinrocker handmade paper. It is signed and dated in pencil in the lower right margin.
Reading Bochner Thesaurus works for literal meaning while blanking out their visual impact becomes as much a challenge of disassociation as the head-patting/stomach-rubbing game.
The complex relationship between art practice, visual meaning and the function of language has long been a core interest of the Pittsburgh native Mel Bochner (born 1940), whose 1966 installation, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is credited as the earliest exhibition of conceptual art.
Title | Crazy |
---|---|
Medium | Monoprint |
Year | 2011 |
Edition | Unique |
Signature | Signed, dated |
Size | 30 x 22 (in) 76 x 56 (cm) |
Price | SOLD |