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Fernand Leger – Art et Solidarite

Fernand Leger, Art et Solidarite 1957  is an original lithograph print in colors on paper. This print is a proof without letters aside from the limited edition poster printed for Galerie Marcel C. Coard.

Joseph Fernand Henri Léger was born on February 4, 1881, in Argentan, France. After apprenticing with an architect in Caen from 1897 to 1899, Léger settled in Paris in 1900 and supported himself as an architectural draftsman. He was refused entrance to the École des Beaux-Arts but nevertheless attended classes there beginning in 1903; he also studied at the Académie Julian. Léger’s earliest-known works, which date from 1905, were primarily influenced by Impressionism. The experience of seeing the Paul Cézanne retrospective at the Salon d’Automne in 1907 and his contact with the early Cubism of Pablo Picasso and Georges Braque had an extremely significant impact on the development of his personal style. From 1911 to 1914 Léger’s work became increasingly abstract, and he started to limit his color to the primaries and black and white. In 1912 he was given his first solo show at Galerie Kahnweiler, Paris.

Title

Art et Solidarite

Alt. Title

Art and Solidarity

Medium

Lithograph

Year

1957

Edition

Unknown

Catalogue Raisonné

NA

Signature

Unsigned

Size 29.75 x 19.5 (in)
76 x 50 (cm)
Price Price on Request
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Description

Fernand Leger, Art et Solidarite 1957  is an original lithograph print in colors on paper. This print is a proof without letters aside from the limited edition poster printed for Galerie Marcel C. Coard.

Joseph Fernand Henri Léger was born on February 4, 1881, in Argentan, France. After apprenticing with an architect in Caen from 1897 to 1899, Léger settled in Paris in 1900 and supported himself as an architectural draftsman. He was refused entrance to the École des Beaux-Arts but nevertheless attended classes there beginning in 1903; he also studied at the Académie Julian. Léger’s earliest-known works, which date from 1905, were primarily influenced by Impressionism. The experience of seeing the Paul Cézanne retrospective at the Salon d’Automne in 1907 and his contact with the early Cubism of Pablo Picasso and Georges Braque had an extremely significant impact on the development of his personal style. From 1911 to 1914 Léger’s work became increasingly abstract, and he started to limit his color to the primaries and black and white. In 1912 he was given his first solo show at Galerie Kahnweiler, Paris.

Additional information

Title

Art et Solidarite

Alt. Title

Art and Solidarity

Medium

Lithograph

Year

1957

Edition

Unknown

Catalogue Raisonné

NA

Signature

Unsigned

Size 29.75 x 19.5 (in)
76 x 50 (cm)
Price Price on Request