Rufino Tamayo – Bodegon

Description

Rufino Tamayo, Bodegon is an original Etching in colors on Guarro paper. This print is from the signed and numbered edition of 99. Created for the series ‘Rufino Tamayo 15 Aguafuertes 1980,’ a suite of 15 Etchings from 1980, published and printed at Ediciones Poligrafa, Barcelona.  Tamayo’s “Bodegon” or “Still Life” underscores Tamayo’s application of geome­try and color abstraction in the development of his compositions. Tamayo’s use of dark earth tones is reflective of the cultural landscapes of Mexico.

Rufino Tamayo was a Mexican painter and printmaker known for his large-scale murals and vivid use of color. Like Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco, Tamayo helped garner international attention for Mexican art. Influenced by his pre-Columbian heritage as well as Cubism and Surrealism, Tamayo portrayed vernacular subjects like watermelons and animals in a unique formal vocabulary. “Art is a means of expression that must be understood by everybody, everywhere,” he stated.

It grows out of the earth, the textures of our lives, and our experience.” Born on August 26, 1899 in Oaxaca, Mexico, Tamayo left the San Carlos Academy of Fine Arts after a year and began to teach himself. He moved to New York in the 1930s after having a falling out with the politically driven Rivera and Siqueiros in his home county. Eventually returning to Mexico in 1959, he founded the Museo Tamayo Arte Contemporáneo in Mexico City and the Museo Rufino Tamayo in his birthplace of Oaxaca during the early 1980s.

The artist continued to produce some of his most compelling works including Moon and Sun (1990) right up until his death on June 24, 1991 in Mexico City, Mexico at the age of 91. Today, his works are held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the Walker Art Center in Minneapolis, among others.

Rufino Tamayo, Bodegon