Red Siren
Red Siren, 1967 by Marc Chagall is a Lithograph Poster printed for a one man show at the Marine Gallery in Nice. This poster was printed by Atelier Mourlot, Paris and published by Marine Gallery, Nice. This poster apart of 500 other editions. Sorlier 103.
Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.
Marc Chagall was a French-Russian artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career Chagall developed the poetic, amorphous, and deeply personal visual language evident in the painting I and the Village (1911). “When I am finishing a picture, I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand as a final test,” he said. “If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it’s bad art.” Born Moishe Shagal on July 7, 1887 in Vitebsk, Russia (present-day Belarus) to a Hasidic Jewish family, the artist was raised immersed in Jewish culture and iconography.
| Title | Red Siren |
|---|---|
| Year | 1967 |
| Medium | Lithograph Poster |
| Edition | 500 |
| Catalogue Raisonné | Sorlier 103 |
| Size | 30 x 19 (in) 76 x 47.5 (cm) |
| Price | Price upon Request |
Category: Chagall
Description
Red Siren, 1967 by Marc Chagall is a Lithograph Poster printed for a one man show at the Marine Gallery in Nice. This poster was printed by Atelier Mourlot, Paris and published by Marine Gallery, Nice. This poster apart of 500 other editions. Sorlier 103.
Chagall’s style has been described as a hybrid of Cubism, Fauvism, and Symbolism, and his supernatural subjects are thought to have significantly influenced the Surrealists. Though he actively engaged in the Parisian artistic community, art for Chagall was first and foremost a means of personal expression. He preferred to be considered separately from other artists, his imagery and allegory uniquely his own.
Marc Chagall was a French-Russian artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career Chagall developed the poetic, amorphous, and deeply personal visual language evident in the painting I and the Village (1911). “When I am finishing a picture, I hold some God-made object up to it—a rock, a flower, the branch of a tree or my hand as a final test,” he said. “If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it’s bad art.” Born Moishe Shagal on July 7, 1887 in Vitebsk, Russia (present-day Belarus) to a Hasidic Jewish family, the artist was raised immersed in Jewish culture and iconography.
Studying under the artist Yehuda Pen as a youth, the Judaic traditions and folklore of his hometown permeated Chagall’s paintings. After studying in St. Petersburg, the artist moved to Paris in 1910, where he quickly befriended members of the French avant-garde, including Robert Delaunay and Fernand Leger. Marc Chagall painted dream-like subjects rooted in personal history and Eastern European folklore.
Visiting Russia in 1914, the artist was prevented from returning to Paris due to the outbreak of World War I until 1926. In addition to his paintings, Chagall was also noted for his vibrant works in stained glass and lithography. Forced to flee Paris during World War II, Chagall lived in the United States and traveled through to Israel before returning to France in 1948.
Additional information
| Title | Red Siren |
|---|---|
| Year | 1967 |
| Medium | Lithograph Poster |
| Edition | 500 |
| Catalogue Raisonné | Sorlier 103 |
| Size | 30 x 19 (in) 76 x 47.5 (cm) |
| Price | Price upon Request |
